Life of Pi 
Director: Ang Lee
Starring: Suraj Sharma, Irrfan Khan and Adil Hussain
Running Time: 127 minutes
Ang Lee’s Life of Pi is a lot of things — beautiful, visually impressive, ambitious, and ultimately, shallow.
The film tells the story of Pi Patel and his unbelievable life, as presented by a middle-aged Pi (Irrfan Khan) to a writer looking for new material. Pi recounts his days as a child, when he would humorously take in bits from several religions to create his own vision. His parents owned a zoo in India, and all was well until his father decided to sell everything and move to Canada. On the ensuing voyage, a nasty storm destroys the ship, sending humans and the wild animals onboard flying violently into the middle of the ocean. The teenage Pi (Suraj Sharma) finds himself separated from everyone else, somehow ending up alone on a boat with a Bengal tiger named Richard Parker.
This is the segment of the film that most will recognize beforehand. Yes, Pi is stranded in the Pacific Ocean with a tiger, and yes, this represents a good chunk of the film. My initial concerns, having not read the novel that this is based on, were that this would be a wild fantasy in which the tiger is made to be a cuddly feline rather than the dangerous predator it really is. Thankfully, that is not the case here, as Pi is very much afraid of Richard Parker, and the tiger is ill-concerned with befriending a human.
The problem here is that there is little suspense during this segment. During the beginning of the film, we are shown the middle-aged Pi as he sits down to talk to the writer. There is nary a scratch on him, or any evidence that he had survived a traumatic experience like this shipwreck. As such, we know right away that he will survive this endeavor, and the tiger feels much less threatening as a result. This lack of impact is especially noticeable once the ending hits, when a revelation suddenly threatens to make the film all for naught. The climax also laughably spells out Pi’s final statement a second time for the audience, just in case it wasn’t clear the first time around.
Early in the film, the middle-aged Pi boldly states that his story will make the writer believe in God, thereby making us (the audience) do the same. While Pi’s story raises some interesting questions regarding faith and the structure of beliefs, he is greatly overstating his tale. Those expecting a groundbreaking revelation would be better served looking elsewhere.
Even though Life of Pi falls short of its lofty ambitions, it’s impossible not to bask in its sheer beauty. This is one visually stunning film, aided immensely by some of the best CGI that I have ever seen. The tiger fits in seamlessly on board, and the young Sharma plays off of it perfectly. The shipwreck scene is loud, boisterous and frightening — especially when seen in 3D. I would be shocked if this doesn’t get an Oscar nod for Best Visual Effects (and Best Cinematography, for that matter).
It’s a shame that there isn’t a more meaningful story underneath Life of Pi‘s alluring outer shell. Ang Lee deserves credit for bringing this novel to life with a vision like only he can, but a weak conclusion dampens what is already an anticlimactic adventure.