The 50 Movies Project is a personal “marathon” of mine. In June, I compiled a list of 50 movies that I felt I needed to see by the end of the year. Old, new, foreign, English — it doesn’t matter. These are all movies that I have heard a lot about and have been wanting to see for some time. This project gives me a way to stay focused on the goal.
The Bicycle Thief [1948, De Sica]
Starring Lamberto Maggiorani, Enzo Staiola, Lianella Carell
This classic Italian neorealist film really impressed me. It’s such a simple story, but it is gripping just the same: A man living in poverty takes on a new job that requires a bicycle, but the bike gets stolen on his first day of work. Together with his young son he scours the city, desperately trying to find his bicycle so he can make money to support his family. It’s a bleak tale because it is hard not to get immersed in the world of poverty that was heavily prevalent in Italy at the time. In this regard, I loved how authentic the movie felt, and this is partly attributed to the fact that non-actors were used for many of the roles. The ending, while tragic and undeniably sad, was most appropriate and left me speechless. A fantastic drama that has easily earned its place in cinematic history. 9/10
8 1/2 [1963, Fellini]
Starring Marcello Mastroianni, Anouk Aimée, Claudia Cardinale
My first Fellini film left me puzzled and confused. I am still a little unsure as to what I saw. At times, it felt like an overly self-indulgent egotrip, yet it was often hard to look away. The film is about a famous movie director who has a case of writer’s block. He has retreated to a spa to help relax and find inspiration for his upcoming sci-fi blockbuster. During this time, the movie weaves in and out of reality, as well as the director’s dreams. Some scenes are quite memorable (the harem dream scene in which all of the women in his life come together is particularly brilliant), yet I felt others fall flat. One element that is consistent is the beautiful imagery — there seemed to be an emphasis on style over substance. The stream of consciousness narrative reminded me a lot of Synecdoche, New York (obviously influenced by 8 1/2), a movie that bored me beyond belief. As a piece of art, there’s no denying 8 1/2 has exceptional style. It just struggled to keep me entertained throughout. 6/10
What do you guys think? Agree? Disagree? I would love to hear some counterpoints for 8 1/2.