Due to the surprising success of my initial Movies Project, I decided to do a part two for 2012. This time around I put a greater emphasis on directors I am not familiar with, but I also tried to compile a mix of different genres and eras. This will be an ongoing project with the finish date being sometime this year.
The Philadelphia Story 
Director: George Cukor
Starring: Katharine Hepburn, Cary Grant, James Stewart, Ruth Hussey, John Howard
Runtime: 112 minutes
While researching The Philadelphia Story, I came to the startling realization that I had never seen any of Katharine Hepburn’s work. Despite 51 films to her name, the incredibly well-regarded actress had somehow eluded me over the years. It was perhaps fitting that The Philadelphia Story became my first Hepburn film, as not only was this her first big hit, but the screenplay was written specifically for her.
Hepburn stars as Tracy Lord, a wealthy, strong woman who is getting ready to marry a lower class — but on his way up — gentleman named George Kittredge (John Howard). Just days before the wedding, a publisher at Spy magazine gets the idea to cover the wedding, and he assigns reporter Macauley Connor (James Stewart) and photographer Liz Imbrie (Ruth Hussey) to write the story. Their introduction to the wedding comes via C.K. Dexter Haven (Cary Grant), who just so happens to be Tracy’s ex-husband. With the introduction of these unexpected patrons, not to mention appearances from members of Tracy’s eccentric family, the pre-wedding weekend suddenly becomes a lot more complicated.
It doesn’t help that there is an underlying unsettled romance between Dexter and Tracy. Their marriage was rocky at best, but there is still a clear connection between the two. Further difficulties arise when Tracy begins to discover some of Connor’s more appealing traits (apparently she is a sucker for good poetry). Now, the day before her wedding, she finds herself in a bit of a love triangle.
While Katharine Hepburn is very much the center of the film — and she delivers a phenomenal performance — she was fortunate enough to be paired with the unbelievable 1-2 combination of James Stewart and Cary Grant. Stewart is as charming as ever, and he has a lengthy section in the film where he is flat out drunk — played with sterling effectiveness. Grant seems keen to stay in the background (surprisingly), but he is crucial to many important moments in the film. Special mention must also be made of Ruth Hussey, who delivers a strong performance that is unfortunately often overlooked when compared with the three leads.
For all its star power, The Philadelphia Story is backed by a sharp, witty screenplay that ultimately won an Oscar (the film itself received six nominations, winning two). The dialogue moves at a brisk pace with plenty of snappy one-liners, though there were a handful of lines with dated 30s/40s slang that had me scratching my head. Even if I didn’t know exactly what something meant, I was able to understand it somewhat thanks to the conviction these lines were delivered by the strong cast.
Ultimately, this is a clever little film with plenty to like. It would have been hard to mess up a film with the trio of Hepburn, Stewart and Grant starring, and thankfully this lives up to its classic billing. Consider me a new fan.