Due to the surprising success of my initial Movies Project, I decided to do a part two for 2012. This time around I put a greater emphasis on directors I am not familiar with, but I also tried to compile a mix of different genres and eras. This will be an ongoing project with the finish date being sometime this year.
Cinema Paradiso 
Director: Giuseppe Tornatore
Starring: Philippe Noiret, Salvatore Cascio, Marco Leonardi, Jacques Perrin
Running Time: 124 minutes (international cut)
I was long looking forward to finally seeing Cinema Paradiso — frequently dubbed a film lover’s film. Giuseppe Tornatore’s Italian drama won 19 awards upon its release, including an Oscar for Best Foreign Language film, and its praise has been unanimous since (even holding a ranking of #76 on IMDB’s Top 250, as of this writing).
Cinema Paradiso tells its story through the eyes of filmmaker Salvatore Di Vita (played as an adult by Jacques Perrin). After returning home late one evening, Salvatore receives a bit of tragic news: his longtime friend, Alfredo (Philippe Noiret), has passed away. Distraught, Salvatore lies in bed and reminisces about his history with Alfredo, wherein the film also takes us through their years.
As a child, Salvatore had a deep fascination with movies. He was a mischievious little kid, often getting into trouble, but he was able to forge an unlikely friendship with the projectionist of the local theater, Cinema Paradiso. This projectionist, Alfredo, takes the boy under his wings, becoming a fatherly figure of sorts, while also teaching him the ropes of operating the projection booth.
By the time Salvatore reaches his teenage years, he is a hopeless romantic, falling in love with a pretty girl, Elena (Agnese Nano). Undoubtedly influenced by the countless films he has screened over the years, Di Vita stands under her window every evening, patiently waiting for a moment in which she might open the window and let him in. To me, this is a creepy gesture, even if the true motive is meant to be romantic.
Not only do we follow Salvatore and Alfredo over the years, but we are also there to witness the lifespan of the actual cinema. It’s rather interesting to watch as we go from the early days of the local priest splicing out scenes of kissing and other “pornography” (as he puts it), to seeing a more liberal and free-spirited theater in its later years. And, of course, all good things must come to an end, culminating with the death of the theater due to a lack of interest (thanks to television and the like).
All in all, it’s a well-told story, and there are copious references to classic films throughout. There are glimpses of Charlie Chaplin, Clark Gable and countless other legendary figures, and the passion for film from all involved shines throughout. Cinema Paradiso unnecessarily dips into weaker melodrama by the end, but it’s still an engaging endeavor that is especially enjoyable for movie buffs.