Video Game Review: Spec Ops: The Line [Xbox 360]

Spec Ops: The Line [Xbox 360]

Spec Ops: The Line
System: Xbox 360 (also on PS3 and PC)
Genre: Third-Person Shooter
Publisher: 2K Games
Developer: Yager Development / Darkside Game Studios
Release Date: June 26, 2012

Let’s get the inevitable comparisons out of the way. Spec Ops: The Line owes a lot to Joseph Conrad’s novella, Heart of Darkness, and Francis Ford Coppola’s war film, Apocalypse Now, and quite frankly it almost certainly would not exist without either of these.

At its core, Spec Ops is a third-person shooter with the standard cover-based gameplay found often in its genre. Levels generally consist of killing a bunch of enemies, moving to a new area, and then killing some more. However, it’s what happens between these moments of gunfire that separates this from the rest. Morality often comes into play, and the choices are never easy.

Spec Ops: The Line [Xbox 360]

You play as Captain Mike Walker (voiced by Nolan North, aka Nathan Drake from Uncharted), who is sent to Dubai on a reconnaissance mission along with two squadmates. Six months earlier, a cataclysmic sandstorm destroyed the wealthy UAE city, and the ensuing chaos has left the area a veritable no-man’s-land. After discovering a looped radio signal from a U.S. Army Colonel, Walker and his two partners are covertly sent to determine the status of Konrad and anyone else they may come across. Essentially, it’s a get in and get out mission. If only it were that simple.

It doesn’t take long for Walker to decide that they need to *rescue* Konrad, and not just learn his location. This decision leads his team into an onslaught of violence, as they run into a resistance far greater than they could have expected. Along the way, horrifiyng moments present themselves, leaving you as a player to make increasingly more difficult moral decisions. One early choice has you deciding whether to save a handful of innocent civilians or to gamble on saving the life of an agent with precious intel you could really use. There is no right answer here, only “wrong” and “less wrong.”

Spec Ops: The Line [Xbox 360]

There are a number of unforgettable moments during the campaign, all of which tie in with the “war is hell” theme. Other games have showed the atrocities of war, but not like Spec Ops. It’s quite fascinating to watch Walker and his squadmates change over the course of the game. During the early stages, they are joking around and acting like stereotypical soldiers. By the end of the game, they are at each other’s throats, constantly bickering back and forth.

Their mental and physical deterioration becomes even more glaring in the form of the “execution” option. After damaging an enemy enough, they will sometimes fall to the ground and squirm, desperately trying to do something in the last seconds of their lives. Walker has the option of executing them and putting them out of their misery. As the game progresses, Walker’s executions become increasingly violent, as he continues to become more and more desensitized to the brutality of war.

On these terms, Spec Ops offers a lot of depth. This isn’t just some mindless shooter, as its awful TV commercial suggests. This is about a squad’s descent into madness, and it serves as a sort of deconstruction of the entire shooter genre. By the end of the game, you as a player will feel like you have been to hell and back, which is exactly what this is trying to do.

Spec Ops: The Line [Xbox 360]

Spec Ops relies heavily on its themes, and without its polished narrative, it could easily get lost in the shuffle as another third-person shooter. There are noticeable flaws — the controls could be tightened up, the AI is questionable at times, the campaign is relatively short and the multiplayer mode feels tacked-on and unnecessary — but I am more willing to forgive these issues since it felt like I was playing something meaningful. As gamers, we don’t get treated to narratives like this very often, and this is a game that people will be talking about for years. Hell, it has already inspired one game critic to write a lengthy critique of the campaign, something unheard of in the industry.

If you’re willing to overlook some gameplay limitations, Spec Ops: The Line comes with a very high recommendation. This is one of the most mentally challenging games I have played all year, and it is one with more layers than anyone could have expected.


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