In what has become an annual tradition, I have decided to embark in a third round of the 50 Movies Project. The premise is simple — I have put together a list of 50 movies that I feel I absolutely must see in order to continue my progression as a film lover. With so many films to see, it’s easy to get off track and forget about some of the essentials. This is my way of making sure I watch those that have been on my “must see” list for too long.
Three Colors: Blue 
Director: Krzysztof Kieslowski
Screenplay: Krzysztof Piesiewicz, Krzysztof Kieślowski, Agnieszka Holland, Edward Żebrowski
Starring: Juliette Binoche, Benoît Régent, Emmanuelle Riva
Running Time: 94 minutes
Reason for inclusion: The Three Colors trilogy is widely considered to be among the best trilogies in history, and it has been a major blind spot for me. I had also never seen a Krzysztof Kieslowski film.
Accolades: Won three awards (Best Film, Best Actress, Best Cinematography) at Venice Film Festival, three César Awards (Best Actress, Best Sound, Best Film Editing), nominated for Golden Globe, Best European Film at Goya Awards
When I started working on my list for this year’s project, I created a basic rule of allowing just one film per director. However, I made one exception: Krzysztof Kieslowski’s Three Colors trilogy, which I had heard so much about over the years.
The Three Colors trilogy — Blue, White, Red — shares the same colors as the French flag, and each film is loosely based on that country’s political ideals. With Blue, the common theme is liberty, but not in the way you might expect.
Juliette Binoche stars as Julie, the wife of a famous composer, who is dealing with an unbelievable amount of grief. Her husband and young daughter have perished in a horrific car accident. Only she survived.
In the aftermath of the accident, Julie begins liberating herself from anything and everything related to her family in an attempt to find emotional freedom. She gets rid of all of their belongings, puts their majestic mansion on the market and finds herself a one-bedroom apartment in Paris. Her goal is to shut herself off from the past and start her life over again.
Of course, it’s never that easy.
Since her husband was a beloved composer, his face is all over the news. Certain bits of information about him are revealed — things Julie was completely unaware of. It seems everywhere she goes she is painfully reminded about her past. It’s downright amazing that Julie is able to keep herself together through all this.
To top it off, she’s actually being *nice* to people. She goes out of her way to help those who she has no obligation to, including some who could easily have ruined her life. Julie is an incredibly complex character, and she tackles grief in unanticipated ways.
This is very much a one-woman show, and Binoche delivers a heartbreakingly beautiful performance. There are others in the film, such as Olivier (Benoît Régent), an acquaintance who has always had feelings for Julie, but the focus is always very much on Julie.
The color blue comes into play quite often. There are glimpses of the color everywhere, from the water in Julie’s favorite swimming pool to the chandelier of blue beads that once belonged to her daughter. Music is also a vital part of the film, and Zbigniew Presiner’s emphatic score is a perfect fit for the emotions on screen.
Blue is a tragic, complicated film. Its subject matter does not make for an easy watch, but there is something mesmerizing about the film, especially Binoche’s performance. If there is a better depiction of grief, I have yet to see it.