Movie Project #14: A Prophet [2009]

50 Movies Project #4: Contemporary Edition

The 50 Movies Project is an annual tradition at The Warning Sign. Every year, I select 50 movies that I feel I must see in order to continue my progression as a film lover. This year I’m focusing on contemporary films (1980 to present day) that I somehow haven’t gotten around to seeing yet.

A Prophet [2009]

A Prophet [2007]
Director: Jacques Audiard
Writers: Thomas Bidegain, Jacques Audiard, Abdel Raouf Dafri, Nicolas Peufaillit
Country: France/Italy
Genre: Crime/Drama
Starring: Tahar Rahim, Niels Arestrup, Adel Bencherif
Running Time: 155 minutes

In Jacques Audiard’s A Prophet, prison is an intimidating and often brutal venue that is dominated by two groups: the Corsicans and the Muslims. If you aren’t affiliated with one of these groups (and thereby “protected”), you are entirely on your own, and this is not a desirable option.

The film’s main character, a 19-year-old Frenchman of Algerian descent named Malik (Tahar Rahim), learns this firsthand. Sentenced to six years in prison for allegedly attacking a police officer, Malik enters as a naive young man — a kid, really. He is quickly singled out by the Corsican mafia as someone they can take control of. Led by the old, gruff Cesar Luciani (Niels Arestrup), the Corsicans force a proposition on the new prisoner. They want him to kill a Muslim witness named Reyeb (Hichem Yacoubi) who is passing through on his way to testify against them. If Malik doesn’t assassinate their target, he will be killed himself. If he does go through with it, he will be protected by the Corsicans through the remainder of his sentence. Truth be told, there is no decision to be made; Malik has to kill this man.

A Prophet [2009]

So it goes in A Prophet, a dog eat dog world. This is just the first test. Malik does a lot of growing in the film, eventually rising through the ranks in absolutely astonishing fashion. As the film goes on, we learn bits of his background. He dropped out of school at age 11, basically raised himself on the streets, and he never learned how to read. Knowing this background makes his ascension even more impressive. Despite his shortcomings, Malik is incredibly street smart, and he quickly adapts to the prison’s hierarchy system.

Malik’s Arab descent allows him to walk the line between both the Muslims and the Corsicans, and he takes full advantage of this. He becomes good friends with a Muslim, Ryad (Adel Bencherif), who teaches him how to read and write. As Malik’s role within the Corsicans continues to grow, he also branches out into a separate business for himself with Ryad. Eventually, thanks to his good behavior he is granted occasional day leaves, allowing him to conduct business on the outside. It is clear that when/if he leaves prison, he is not going to be the same man.

A Prophet [2009]

Tahar Rahim doesn’t look the type who could succeed in prison, but his performance is entirely believable. We never really know quite what he’s thinking, and the film is stronger because of this. Even better is Niels Arestrup as Cesar, basically the epitome of a godfather-type mafioso. He often appears calm, but it’s clear from one look at him that he is not someone to mess with. The performances and setting are as authentic as it gets — Audiard even made it a point to hire former convicts as advisors and extras in the film.

A Prophet‘s tale is a complicated one, but its surprisingly non-violent payoff is immensely satisfying. The extended running time — all 2 1/2 hours of it — is certainly lengthy and even drags at times, but it’s worth it in the long haul. This is an ambitious drama that manages to combine both gangster epics and coming of age stories into one powerful and intelligent film. With its 13 Cesar nominations — and nine wins — it’s clear that many others feel the same way.


Movie Project #39: Life is Beautiful [1997]

The 50 Movies Project: 2013 Edition

In what has become an annual tradition, I have decided to embark in a third round of the 50 Movies Project. The premise is simple — I have put together a list of 50 movies that I feel I absolutely must see in order to continue my progression as a film lover. With so many films to see, it’s easy to get off track and forget about some of the essentials. This is my way of making sure I watch those that have been on my “must see” list for too long.

Life is Beautiful [1997]

Life is Beautiful [1997]
Director: Roberto Benigni
Writers: Vincenzo Cerami (story), Roberto Benigni (story)
Country: Italy
Genre: Comedy/Drama/Romance
Starring: Roberto Benigni, Nicoletta Braschi, Giorgio Cantarini
Running Time: 116 minutes

Life is Beautiful is a brave film in many ways. It starts off as a comedy about a man, Guido (Robert Benigni), who is so desperately trying to win the love of a beautiful school teacher, Dora (Nicoletta Braschi, Benigni’s real-life wife). He drums up a series of “coincidences” that leads him to falling off his bike into her arms, and he even infiltrates her school just to see her by posing as an Italian fascist inspector. His big speech to the students praises the superiority of the Italian race and their perfect earlobes and navels, all in jest, of course.

To Guido, everything is a joke. His sense of humor and comedic timing are what gets him through an increasingly hostile Italy in 1939. See, Guido is a Jewish man, and he is becoming a more and more frequent target of hate by the locals. His uncle, Eliseo (Giustino Durano), is already dealing with the newfound animosity, as his storefront is wrecked by some fascist vandals.

Yet Guido perseveres, putting on a smiling front and taking it all in stride. Eventually, he gets his girl (in the most epic fashion, riding a white horse spray painted in racial epithets), and things seem to be looking up.

Life is Beautiful [1997]

Fast forward five years later. Guido and Dora are now married with a young child, Joshua (Giorgio Cantarini). They own a book store, and despite a crude sign announcing the owner is a Jew, they make the best of it. That is until the Nazis come into town, rounding up every Jew in the area, Guido and young Joshua included. Dora, after learning of their seizure, runs to the local train station, demanding to be brought on board with them. After some deliberation, she is allowed to board the packed train, which has the most horrific destination imaginable: a concentration camp.

Guido, bless his heart, continues to try to make the best of the situation. He spins this trip into a game for his young son, telling him that he will get a tank if he wins the game. Surely Guido knows the chances of this ending well are slim, but his outgoing demeanor tries to cheer up the spirits of those around him, especially his son.

Life is Beautiful [1997]

Now, this is where the film grows bold in its delivery, and it has received a great deal of criticism for its approach. Guido is constantly cracking jokes (“Buttons and soap out of people? That’ll be the day!”) about a very sensitive and very real atrocity. Sometimes his attempts to be funny are just flat out obnoxious and inconsiderate, such as when he pretends to speak German just so he can jokingly translate orders from a Nazi officer. I get that Guido (and Benigni himself) is just trying to make the best of a horrible situation, but he really should know his limits.

Still, even with these potentially inappropriate moments, there is a great story underneath it all. This is a tale of the strength of a family, and the bond of love between father and son, and husband and wife. This is about a man who can find the beauty in life, even in the most dire situations. While Benigni can overstep the line past obnoxiousness, his Chaplin-esque antics are visually appealing. There is a certain type of charm to his character, and we could all learn something from his optimistic views.