Movie Project #24: The Last Picture Show [1971]

Due to the surprising success of my initial Movies Project, I decided to do a part two for 2012. This time around I put a greater emphasis on directors I am not familiar with, but I also tried to compile a mix of different genres and eras. This will be an ongoing project with the finish date being sometime this year.

The Last Picture Show [1971]

The Last Picture Show [1971]
Director: Peter Bogdanovich
Genre: Drama
Starring: Timothy Bottoms, Jeff Bridges, Cybill Shepherd, Ben Johnson, Cloris Leachman and Ellen Burstyn
Runtime: 118 minutes

“Nothing much has changed…”

I grew up in a small town, one with a population of roughly 200 people. I could not leave it fast enough. It seemed like so many people there were stuck in a rut. They lived their lives, worked menial jobs, then proceeded to have kids who in turn fell into the same endless cycle. While not always the case, many of them rarely left their seemingly comfortable surroundings. That wasn’t me. I had to get out, and that’s how I ended up in Chicago, the polar opposite of my hometown.

The Last Picture Show takes place in the 1950s in a small town in West Texas. Its denizens are people exactly like those I knew grewing up.

There’s Sonny Crawford (Timothy Bottoms), a high school senior who is dating a slightly overweight girl whom he is not in love with. Ambivalent about the prospects of life after school, he drifts aimlessly. His best friend is Duane Jackson (Jeff Bridges), a good-looking and popular fellow senior who is more interested in girls than thinking about the future. He is in a relationship with Jacy Farrow (Cybill Shepherd), a sex-crazed girl who comes from a rich family.

The Last Picture Show [1971]

On the adult side of things, there is Ruth Popper (Cloris Leachman), the depressed housewife of the local football coach. There’s a man known best as Sam the Lion (Ben Johnson), the owner of the town’s cafe, movie theater and pool hall — basically the only sources of entertainment in the area — who acts as a sort of father figure to the two seniors. We are also introduced to Jacy’s mother, Lois Farrow (Ellen Burstyn), who is struggling as a single parent.

For 118 minutes, we are immersed in the world of this small dying town in Texas. Part character study, part coming of age, all hopelessly stagnant.

When I say “immersed” in this town, I am not overstating this at all. Director Peter Bogdanovich *nailed* the movie’s setting. The bleak, dusty, wind-torn town is captured in all its decaying glory, beat-up pickup trucks and all. The movie was wisely filmed in black-and-white (thanks to a suggestion from Orson Welles), making it feel like we are watching something plucked right from the 50s. Seriously, I felt like I was there.

What doesn’t feel like a 50s film is the gratuitous sex featured on screen, complete with a generous amount of nudity. With raging hormones and little else to do in town, it’s easy to see why its members rely on promiscuity to pass the time. It’s not just the high school kids who are hooking up — it’s the adults, too, including some who are breaking the bounds of marriage.

The Last Picture Show [1971]

It’s impossible to look back at The Last Picture Show forty years later and not be amazed at its cast. Many would go on to long and prosperous careers, including the very young Jeff Bridges and Cybill Shepherd. Miss Shepherd, in particular, is absolutely stunning — it’s easy to see why every guy in town is in love with her. Ben Johnson, as the aging cowboy Sam the Lion, won an Oscar for Best Supporting Actor. Cloris Leachman, absolutely fantastic in her role as the despondent housewife, won Best Supporting Actress. The only major star who didn’t make it as big as the rest is Timothy Bottoms, which is a shame because he is one of the true highlights in this film.

The Last Picture Show also received six other Oscar nominations, including Best Picture, Best Director and Best Cinematography.

When people discuss the greatest films of the 1970s, I rarely hear The Last Picture Show mentioned near the top. The film certainly has a high amount of critical acclaim, but it seems to get overlooked amongst the Godfathers and Taxi Drivers of the world. That’s a shame, because this is a fantastic effort all-around, and it is one that perfectly encapsulates the setting it takes place in. Some may find this to be too melancholy and others may struggle with its characters, but to me, this reminds me of home, for better or for worse.


True Grit [2010]

True Grit [2010]

True Grit [2010]
Directors: Ethan Coen & Joel Coen
Genre: Drama/Western
Language: English
Country: USA

True Grit is the famed Coen Brothers’ re-imagining of the novel and 1969 film of the same name. I haven’t seen the original film (or read the book) so I went into the theater knowing very little about this movie beforehand. The story follows a 14-year-old girl, Mattie Ross (the debuting Hailee Steinfeld), who sets out to avenge the death of her father by Tom Chaney (Josh Brolin). She obtains help from the unlikely pairing of the one-eyed alcoholic U.S. Marshal Rooster Cogburn (Jeff Bridges) and the clean-cut by-the-book Texas ranger LaBoeuf (Matt Damon).

This is a Coen Brothers movie through and through. The dialogue is razor-sharp and full of wit and humor, with a significant portion of it coming from the snarky Mattie Ross. Between her and Cogburn, there are plenty of memorable one-liners. I was pleasantly surprised by the amount of dark humor in this film. All of the characters are well-crafted and are aided by an absolutely outstanding cast. Hailee Stenfield is remarkable as Mattie, and it is hard to believe this is her first feature film. She is sure to get a lot of work after this performance. Jeff Bridges is excellent as always — he sure has perfected the old drunk role, hasn’t he? If I had one complaint about his performance, it is that he was almost *too* good at playing the slurring drunk since there were moments were I had difficulty understanding what he was saying. It should also be noted that Josh Brolin and Barry Pepper really delivered as the “bad guys” in the movie, although their roles were unfortunately rather small.

True Grit is a strong addition to the Western genre, and it has me intrigued to see the 1969 original as well. The movie doesn’t really do anything new, but it is very well-made with an incredible attention to details of its time period. True Grit is a great story of revenge and unlikely camaraderie, and it is highly entertaining. Definitely recommended.