Movie Project #2: Good Night, and Good Luck. [2005]

50 Movies Project #4: Contemporary Edition

The 50 Movies Project is an annual tradition at The Warning Sign. Every year, I select 50 movies that I feel I must see in order to continue my progression as a film lover. This year I’m focusing on contemporary films (1980 to present day) that I somehow haven’t gotten around to seeing yet.

Good Night, and Good Luck. [2005]

Good Night, and Good Luck. [2005]
Director: George Clooney
Writers: George Clooney, Grant Heslov
Country: USA
Genre: Drama/History
Starring: David Strathairn, George Clooney, Patricia Clarkson, Robert Downey Jr., Jeff Daniels, Frank Langella, Ray Wise
Running Time: 93 minutes

Good Night, and Good Luck takes us back to darker times in the United States, specifically the 1950s when the fear of Communism was running wild. The notorious Senator Joseph McCarthy only added to the hysteria by claiming that large numbers of Soviet spies had infiltrated the U.S. Government. This led to anyone with any connection to Communism, no matter how minute (or even non-existant), getting shunned by those in charge. Who knows what would have happened if CBS newscaster Edward R. Murrow didn’t call him out on his bullshit?

George Clooney’s second directorial effort tells the story of this very public feud between Murrow (David Strathairn) and McCarthy. Murrow first targets the senator’s unlawful attack against Milo Radulovich, a Michigan man who was forced to resign from the US Air Force merely because his father subscribed to a Serbian newspaper. This is only the tip of the iceberg, as the trial of Annie Lee Moss, an alleged spy inside the Pentagon, makes the news. Soon McCarthy is attacking Murrow directly, making false accusations about the newscaster being a past member of a communist organization.

Good Night, and Good Luck. [2005]

To Murrow’s credit, he is able to remain calm and level-headed even as he is knee-deep in McCarthy’s pile of lies. He is especially impressive in how he is able to convince his superiors — those who risk damaging certain professional relationships — to stick with him as he fights back against the delusional anti-Communism parade. His rational and sensible demeanor is expertly portrayed by David Strathairn, who got a well-deserved Oscar nomination for his performance.

While much of the focus is on Murrow and McCarthy (the latter of whom is only seen in archival footage), there are two other subplots involving those within CBS. Robert Downey Jr. and Patricia Clarkson play a married couple who are forced to keep their relationship secret due to laws within the company. Also, Ray Wise plays Don Hollenbeck, the host of the CBS News show that follows Murrow, as he struggles to deal with an often slanderous press. The latter storyline fits in perfectly with the overarching theme of the film, but the RDJ/Clarkson subplot received perhaps a bit too much attention. The film is relatively short — just 93 minutes — and it almost feels like their story arc was included to pad things out a bit. The rest of the newsroom is fleshed out with small, but crucial performances from the likes of Clooney himself, Frank Langella and Jeff Daniels.

Good Night, and Good Luck. [2005]

The film is authentic in its approach, with gorgeous black-and-white cinematography interspersed with actual news footage from the era. This provides an almost documentary-like feel to the proceedings, adding even more to the immersion into that era. You can almost smell the smoke-tinged air as everyone puffs away at their Kent-branded cigarettes. For the realism alone, the film succeeds.

It’s said that history repeats itself. Perhaps in 40-50 years, we’ll get another film of a similar nature, this time documenting the frenzy caused by the National Security Agency’s breach of privacy that is happening today. Perhaps now, more than ever, we need an Edward R. Murrow.

8/10

Movie Project #2: Good Night, and Good Luck. [2005]

50 Movies Project #4: Contemporary Edition

The 50 Movies Project is an annual tradition at The Warning Sign. Every year, I select 50 movies that I feel I must see in order to continue my progression as a film lover. This year I’m focusing on contemporary films (1980 to present day) that I somehow haven’t gotten around to seeing yet.

Good Night, and Good Luck. [2005]

Good Night, and Good Luck. [2005]
Director: George Clooney
Writers: George Clooney, Grant Heslov
Country: USA
Genre: Drama/History
Starring: David Strathairn, George Clooney, Patricia Clarkson, Robert Downey Jr., Jeff Daniels, Frank Langella, Ray Wise
Running Time: 93 minutes

Good Night, and Good Luck takes us back to darker times in the United States, specifically the 1950s when the fear of Communism was running wild. The notorious Senator Joseph McCarthy only added to the hysteria by claiming that large numbers of Soviet spies had infiltrated the U.S. Government. This led to anyone with any connection to Communism, no matter how minute (or even non-existant), getting shunned by those in charge. Who knows what would have happened if CBS newscaster Edward R. Murrow didn’t call him out on his bullshit?

George Clooney’s second directorial effort tells the story of this very public feud between Murrow (David Strathairn) and McCarthy. Murrow first targets the senator’s unlawful attack against Milo Radulovich, a Michigan man who was forced to resign from the US Air Force merely because his father subscribed to a Serbian newspaper. This is only the tip of the iceberg, as the trial of Annie Lee Moss, an alleged spy inside the Pentagon, makes the news. Soon McCarthy is attacking Murrow directly, making false accusations about the newscaster being a past member of a communist organization.

Good Night, and Good Luck. [2005]

To Murrow’s credit, he is able to remain calm and level-headed even as he is knee-deep in McCarthy’s pile of lies. He is especially impressive in how he is able to convince his superiors — those who risk damaging certain professional relationships — to stick with him as he fights back against the delusional anti-Communism parade. His rational and sensible demeanor is expertly portrayed by David Strathairn, who got a well-deserved Oscar nomination for his performance.

While much of the focus is on Murrow and McCarthy (the latter of whom is only seen in archival footage), there are two other subplots involving those within CBS. Robert Downey Jr. and Patricia Clarkson play a married couple who are forced to keep their relationship secret due to laws within the company. Also, Ray Wise plays Don Hollenbeck, the host of the CBS News show that follows Murrow, as he struggles to deal with an often slanderous press. The latter storyline fits in perfectly with the overarching theme of the film, but the RDJ/Clarkson subplot received perhaps a bit too much attention. The film is relatively short — just 93 minutes — and it almost feels like their story arc was included to pad things out a bit. The rest of the newsroom is fleshed out with small, but crucial performances from the likes of Clooney himself, Frank Langella and Jeff Daniels.

Good Night, and Good Luck. [2005]

The film is authentic in its approach, with gorgeous black-and-white cinematography interspersed with actual news footage from the era. This provides an almost documentary-like feel to the proceedings, adding even more to the immersion into that era. You can almost smell the smoke-tinged air as everyone puffs away at their Kent-branded cigarettes. For the realism alone, the film succeeds.

It’s said that history repeats itself. Perhaps in 40-50 years, we’ll get another film of a similar nature, this time documenting the frenzy caused by the National Security Agency’s breach of privacy that is happening today. Perhaps now, more than ever, we need an Edward R. Murrow.

8/10

Movie Review: Looper [2012]

Looper [2012]

Looper [2012]
Director: Rian Johnson
Genre: Action/Sci-Fi/Thriller
Starring: Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano and Jeff Daniels
Runtime: 118 minutes

After 2005’s criminally overlooked Brick, it’s great to see director/writer Rian Johnson and lead star Joseph Gordon-Levitt collaborating once again. This time around, with a clever time travel sci-fi premise and a bigger budget, the results are even more impressive.

Looper takes place primarily in the not-so-distant year of 2044, with the focus being on a group of assassins known as “loopers.” Their job is to wait in a cornfield for their victims to be sent back to them from the future (2074), blindfolded, where the loopers promptly shoot them and collect their rewards. It’s a relatively easy job, but their one rule is to never let anyone escape, even if that means their future selves.

Looper [2012]

That’s exactly what happens to Joe Simmons (Gordon-Levitt). When presented with the prospect of killing his future self (played by Bruce Willis), Simmons hesitates, and as a result his target gets away. Now on the run from the mafia, Joe has to hunt down himself in order to complete his job. The plot gets a bit convoluted from there, adding in some romance with a single mother, Sara (Emily Blunt), and a mission to kill the future Rainmaker, a crime lord who is wiping out the loopers one-by-one. There’s a lot to digest, especially since time travel is involved.

Multiple viewings are definitely going to be helpful in analyzing and understanding Looper‘s multiple layers, but this is still a film that can be appreciated on its surface. For one, time travel is just one aspect of the film, and it is not the primary focus. This is more about the struggles of a particular character (Joe), in which time travel just so happens to have caused the conflict. Now, there are potential discrepancies with the time travel logic in the film (as expected with this subject matter), but for the most part, it works.

Looper [2012]

When I heard that Gordon-Levitt and Willis would be playing the same character, I had to do a double-take. The two really look nothing alike in reality, but thanks to the wonders of Hollywood makeup, the resemblance between the two in Looper is uncanny. Both stars deliver strong performances to boot, with the centerpiece of the film being an especially entertaining diner conversation between the two. Emily Blunt, Paul Dano and Jeff Daniels also excel in their supporting roles, each integral to the film’s development.

In the end, Looper is a rather intelligent film that is both fresh and entertaining. There is a lot to take in, but it’s a fun ride, and it makes for one of this year’s more enjoyable experiences.

8/10