Movie Project #11: The Magnificent Seven [1960]

The 50 Movies Project is a personal “marathon” of mine. In June, I compiled a list of 50 movies that I felt I needed to see by the end of the year. Old, new, foreign, English — it doesn’t matter. These are all movies that I have heard a lot about and have been wanting to see for some time. This project gives me a way to stay focused on the goal.

The Magnificent Seven [1960]

The Magnificent Seven [1960]
Directors: John Sturges
Genre: Western/Adventure/Drama
Language: English/Spanish
Country: USA

Akira Kurosawa’s Seven Samurai represented many “firsts” for me. It was my first Japanese classic film. My first Kurosawa film. My first three hour epic. The first movie I watched that had an extended intermission halfway through. Seven Samurai turned me onto a whole new world of film, and for that I am very appreciative.

The Magnificent Seven is Hollywood’s westernization of Kurosawa’s masterpiece, and it is one of a seemingly rare breed in that is also highly regarded, though not quite up to the level of its inspiration. Opting to go the Western route, the movie is about seven American gunmen who are hired to protect a small Mexican village from evil bandits. There is plenty of action with several entertaining gunfights, but there is also a good amount of emphasis on character relationships that give the men some depth.

The seven gunmen are played by a veritable who’s who of badasses from the time period — Yul Brynner, Steve McQueen, Charles Bronson, Robert Vaughn, Brad Dexter, James Coburn and Horst Buchholz. Brynner is the leader of the group as Chris Adams, the hired mercenary who rounds up the rest of the fellas to fight off the bandits. This was the first movie I had seen Brynner in, and I was very impressed. As Adams, he played a tough, commanding leader who didn’t take shit from anyone. His stage presence is undeniable. Of the rest, McQueen, Bronson and Coburn are most noteworthy. McQueen’s laidback persona oozes with confidence. Bronson shows a gentle side after becoming “adopted” by two Mexican children. Coburn is a quiet, expert knife-thrower who just so happens to be handy with a gun. The leader of the bandits, Calvera, is played by Eli Wallach in an excellent performance. His character felt like a precursor of sorts to what he would eventually take on in The Good, The Bad & The Ugly.

The Magnificent Seven [1960]

This is a stellar cast, no doubt, and everyone gets their share of screen time. The characters are likable, the action is solid, and the score is unforgettable; the opening theme was later used in Marlboro TV commercials.

I am still fairly new when it comes to Westerns, but there’s no denying the value of The Magnificent Seven. Despite some slow goings at times, I found the movie to be very entertaining overall, mostly due to the cast’s star power. A cut below Seven Samurai, but a worthwhile remake all the same.

8/10

Advertisements

Blogathon: Cool Off With The Classics

Another month, another movie blogathon! Marc over at Go, See, Talk came up with another great idea that is sure to start making its rounds in the film blogging community. The idea here is to “Cool Off With The Classics” — that is, to compile a list of black & white classics you would watch to “beat the heat.” Since I have been digging into more classics than usual lately, I thought this would be a fun event to participate in. So here we go… ten of my favorite B&W movies.

12 Angry Men [1957]
1) 12 Angry Men [1957]
Sidney Lumet’s early classic was one of my first experiences with a black & white film. I watched this for the first time in high school and could not believe that an “old movie” set in a courtroom could maintain my interest from beginning to end. An incredible film, and one that I absolutely must see again soon.

The Third Man [1949]
2) The Third Man [1949]
I saw this for the first time earlier this year and fell in love with it. There is so much to like about this movie, and of course it has some of the most memorable moments in cinematic history (such as Orson Welles’ big reveal). The closing shot is one of the best I have ever seen.

Crashout [1955]
3) Crashout [1955]
I caught this earlier this month at the Music Box Theatre’s awesome Noir City Festival. This rarely-seen prison break movie is a lot of fun, and surprisingly brutal for its time period.

Among the Living [1941]
4) Among the Living [1941]
Another rarely-screened movie that I caught at the Noir City Festival. This is a wonderful noir/horror hybrid with great performances from Albert Dekker and Susan Hayward.

Citizen Kane [1941]
5) Citizen Kane [1941]
This is the movie that made me excited to see more classics. We watched the entirety of the film in my university’s Music & Film class, and I was quite frankly amazed. One of the best of all time, obviously, and it felt great to finally understand the lyrics to the Kane-referencing White Stripes song, “The Union Forever“.

City Lights
6) City Lights [1931]
My 50 Movies Project is already reaping dividends, as it provided the means for me to catch this Chaplin silent classic. Words are not needed for Chaplin’s dynamic Tramp character, and his endless pursuit of love is inspiring (with hilarious results).

The Day The Earth Stood Still [1951]
7) The Day The Earth Stood Still [1951]
I am not a big sci-fi fan, so I was a little skeptical about this movie. I was pleasantly surprised with how much I enjoyed it. Intelligent, entertaining and backed by Bernard Herrmann’s incredible therimin-driven score, this is one of the better sci-fi films I have seen, regardless of age.

The Killing [1956]
8 ) The Killing [1956]
One of Kubrick’s earliest films is one of my favorites from him, and it has been heavily influential over the years (most notably for Quentin Tarantino’s Reservoir Dogs). An exciting, well-crafted heist noir.

Steamboat Bill, Jr. [1928]
9) Steamboat Bill, Jr. [1928]
I have only seen two, maybe three, Buster Keaton movies, but this is the one I have enjoyed the most. Lots of laughs and some ridiculous physical stunts make this one of the more memorable silent films I have seen.

Seven Samurai [1954]
10) Seven Samurai [1954]
It is a testament to the film’s brilliance that I am able to sit through the full three hours without ever once growing bored or impatient. I saw it for the first time last year and it just blew me away. The quintessential samurai film.

Be sure to check out the rest of the participants in this blogathon, and feel free to join in on the fun as well.