Movie Project #10: Out of Sight [1998]

50 Movies Project #4: Contemporary Edition

The 50 Movies Project is an annual tradition at The Warning Sign. Every year, I select 50 movies that I feel I must see in order to continue my progression as a film lover. This year I’m focusing on contemporary films (1980 to present day) that I somehow haven’t gotten around to seeing yet.

Out of Sight [1998]

Out of Sight [1998]
Director: Steven Soderbergh
Writers: Elmore Leonard (novel), Scott Frank (screenplay)
Country: USA
Genre: Comedy/Crime/Romance
Starring: George Clooney, Jennifer Lopez, Ving Rhames, Don Cheadle
Running Time: 123 minutes

Out of Sight has a little bit of something for everyone: comedy, romance, crime, random outbursts of violence… The film is based on a novel by Elmore Leonard, and it is backed by an absolute star-studded cast. It also happens to be one of my early favorites in this year’s movie project.

George Clooney stars as the charismatic bank robber, Jack Foley. After escaping from prison, Foley immediately (and unexpectedly) stumbles upon U.S. Marshal, Karen Sisco (Jennifer Lopez), waiting outside for an unrelated reason. This mix-up leads to both Foley and Sisco getting thrown into the trunk of a getaway car driven by Buddy Bragg (Ving Rhames). Right away, despite being on different sides of the law, there’s an instant spark between them. They know it, we know it, everyone knows it. You could cut the sexual tension with a knife.

Their trunk encounter is brief, but it sets the stage for a pleasurable game of cat-and-mouse for both sides. Sisco is able to escape when she persuades an accomplice of Foley and Bragg, a perpetual stoner named Glenn Michaels (Steve Zahn), to leave them stranded. Foley then goes on the run, with Sisco always remaining not too far behind.

Out of Sight [1998]

Foley’s end goal is to score one last big heist and then retire to a tropical island somewhere (where have I heard that before?). His target is a financial criminal (Albert Brooks) who, while in prison, had foolishly mentioned how he had millions of dollars in uncut diamonds back at his home in Detroit. Foley and Bragg make the long trek up to snowy Michigan to scope out the situation and see if they can pull this off once and for all.

Of course, everything doesn’t go as planned. Glenn’s big mouth leads to even more people wanting to get in on the action, including an explosively violent ex-boxer named Maurice Miller (Don Cheadle). Soon this seemingly simple burglary turns into a far more complex operation than initially anticipated.

Out of Sight [1998]

The plot is labyrinth-like with its nonlinear narrative, and director Steven Soderbergh expertly weaves his way through the many layers that are always in motion. There is never a dull moment, especially when Clooney is given time to show off his trademark charisma. According to Clooney, this is the kind of role he had always dreamed of: a bad guy who you couldn’t help but root for in the end. He makes his mark in the very first scene, as he pulls off the most nonchalant bank robbery I have ever seen. It can be argued that this performance is what made Clooney a bona fide movie star. Much of the film relies on his chemistry with Jennifer Lopez, and it really is something to behold. This is one of Lopez’s finest performances, as she is effortlessly equal parts sexy and badass.

Although the focus is on the two leads, every character has their chance to shine. I was most impressed with Don Cheadle, whose character grows to become more and more frightening as the film progresses. His two partners in crime, played by Isaiah Washington and Keith Loneker, are memorable themselves. The latter is involved in one of the most unexpected and absurd on-screen deaths I have ever seen.

Out of Sight had me cracking up often, and that was something I did not expect. The humor is very dark (case in point: the aforementioned unforeseen death), but the cat-and-mouse game between the two leads provides a bit of a balance by being fairly light. In the end, this is still a love story more than anything else, but its unconventional format and impeccable performances make the film stand out from the rest.

9/10

Poll Results: Best Steven Soderbergh Film

The winner for Steven Soderbergh’s best film:

Ocean's Eleven

THE RESULTS:
– Ocean’s Eleven: 8 votes
– Traffic: 4 votes
– Out of Sight: 2 votes
– Sex, Lies, and Videotape: 2 votes
– Che: 1 vote
– Contagion: 1 vote
– Haywire: 1 vote

No doubt about this one. Ocean’s Eleven took the early lead and never relinquished it. It has been years since I saw that 2001 caper… perhaps it’s time I revisit it. I never got around to seeing the sequels. Any of them worthwhile? What do you guys think of the results? Are you satisfied with the winner?

This Week’s Poll: Oliver Stone’s Savages had a pretty decent opening by raking in $16 million this weekend, good for fourth overall. Similar to last week’s Soderbergh poll, I thought it would be fun to revisit Stone’s career and see what you guys think is his best film. There are some enticing options in his filmography… should be a fun poll.

Hope you guys had a great weekend!

Movie Review: Contagion [2011]

Contagion [2011]

Contagion [2011]
Director: Steven Soderbergh
Genre: Drama/Sci-Fi/Thriller
Language: English
Country: USA

Pandemic movies are hardly anything new. More often than not they tend to delve into far-fetched scenarios where zombies run rampant and feast on human flesh. In this regard, Contagion is almost like a breath of fresh air. There are no zombies, and the situation is entirely feasible.

The movie focuses on a rapidly progressing virus outbreak, not unlike the swine flu, that kills those that come in contact with it in a matter of days. It is unknown where this virus came from, at least initially, and it becomes a worldwide concern as the medical community frantically attempts to develop a vaccine. Meanwhile, people everywhere are freaking out, causing mayhem to the streets and others while trying to avoid getting sick. To put it bluntly, this is total chaos.

Contagion [2011]

Rather than dwelling on an individual story or small group of people directly involved in one aspect of the pandemic, director Steven Soderbergh chose to follow people from all over the world. The movie keeps tabs on regular folk, doctors, scientists and even conspiracy theorists. The fact that the movie is spread out with so many different subplots is both a blessing and a curse. I loved the global feel of the movie, as we saw viewpoints from all over the world. However, with so many characters introduced and then dropped in and out of the main storyline, it becomes difficult to feel any connection to them. The multi-character arc is a great idea, but a few characters here and there could have probably been cut out.

I also noticed some issues with the movie’s pacing. Even though it is labeled as a thriller, Contagion really lacks any sense of excitement. The general feeling of hysteria is always there, but the movie tends to rely too heavily on random subplots that offer little emotional weight. As a result, there are moments where things feel like they are crawling along. This is a bizarre problem for a movie that pushes through over 100 days of action in under two hours.

Even though it is difficult to get behind some of the characters, it must be stated that this is of no fault to the cast. Several of the actors have been nominated for Academy Awards in the past, and they certainly do as good as they can with their small roles. Matt Damon, Laurence Fishburne and Jude Law seem to get the most screen time. Damon is great as a normal guy who just so happens to be immune to the disease. After his wife and one of his daughters die at the onset of the virus, he attempts to recreate a normal life with his remaining daughter. Fishburne is in excellent form as Dr. Ellis Cheever, an employee of the Centers for Disease Control and Prevention. Jude Law delivers perhaps the most enjoyable role of all as a conspiracy theory blogger, even taking a cheapshot at blogging in stride.

Contagion [2011]

Other noteworthy additions to the cast include Kate Winslet, Marion Cotillard, Gwyneth Paltrow, Bryan Cranston, Jennifer Ehle and John Hawkes. Winslet in particular shines in her limited role, as she usually does. Cotillard’s character arc is perhaps most frustrating, as she enters and then disappears from the movie at long intervals. Again, kudos to everyone involved for getting all of these big name actors, but it would have been great to have them fleshed out some more.

Regardless of these faults, it would be inappropriate to call Contagion a bad movie. It has an excellent cast and a great concept, and I really enjoyed the tense soundtrack as well. The problem is that it simply could have been a lot better.

6.5/10