Movie Review: World War Z [2013]

World War Z [2013]

World War Z [2013]
Director: Marc Forster
Writers: Matthew Michael Carnahan, Drew Goddard and Damon Lindelof (screenplay), Matthew Michael Carnahan & J. Michael Straczynski (screen story), Max Brooks (novel)
Genre: Action/Drama/Horror
Starring: Brad Pitt, Mireille Enos, Daniella Kertesz, James Badge Dale
Running Time: 116 minutes

World War Z seemed to be doomed from the start. With production delays, a burgeoning budget and multiple script rewrites, Marc Forster’s film struggled to get off the ground. In fact, it took a good 5+ years of development before the final product came together. Surprisingly, even with these miscues, the film isn’t half bad, though it does fall into some familiar traps.

Brad Pitt stars as Gerry Lane, a former UN employee who, after the zombie outbreak hits, is called upon by The Powers That Be to help investigate the source of the virus. Forced to leave his wife Karin (Mireille Enos) and two daughters behind, Gerry embarks on the desperate journey that takes him all over the world in order to (hopefully) save mankind.

World War Z [2013]

World War Z crams a lot into its two hour running time, as Gerry and company travel to South Korea, Israel and Wales. With so much globe-trotting, the film never really finds its footing, instead opting to use these jaunts as action set pieces with increasingly unrealistic outcomes. Some characters are seemingly invincible, surviving disasters that would swiftly kill “real” people. Many in the film also act like complete tools (i.e. forgetting to shut off a cell phone while sneaking past a group of zombies), and they are often getting into cheap predicaments meant to rivet the suspense.

Outside of Brad Pitt’s Gerry, none of the characters receive any real development, and they are merely there to fill the screen. Pitt deserves a lot of credit, however, as he is more than capable of shouldering the load. His portrayal of the near-perfect hero works well, and he helps keep the film entertaining even during its slower moments.

World War Z [2013]

World War Z is rated PG-13, and this raises some issues. I don’t have a problem with a film getting this rating, but WWZ so desperately wants to show the usual zombie gore and violence that it seems frustrated in not being able to do so. Zombies are shot in the head, impaled and otherwise brutally massacred, but all of this happens off screen. We know it happens, but the frequent cuts away from the action are distracting.

Now, that’s not to say World War Z is a bad film. In fact, it is quite entertaining, and it moves along at a very crisp pace. It’s just that it is also a remarkably generic zombie movie, one that has been done better in the past. In short, it’s pretty much what I expected from a summer blockbuster of this nature, for better or for worse.


Movie Review: Super 8 [2011]

Super 8 [2011]

Super 8 [2011]
Director: JJ Abrams
Genre: Mystery/Sci-Fi/Thriller
Language: English
Country: USA

As some sort of weird mash-up of the Goonies, E.T. and Cloverfield, Super 8 wears its influences on its sleeve. This JJ Abrams-directed and Steven Spielberg-produced summer blockbuster never really tries anything new; instead, it frequently relies on the tried-and-true tactics of old favorites to lead the way.

Set in the small fictional town of Lillian, Ohio in 1979, Super 8 follows a group of middle school-aged boys who are attempting to create their own zombie film. When they are filming a scene at the local train station, they witness a massive train crash caused by a truck that appeared to deliberately drive into the train’s path. This creates a *huge* explosion that sends pieces of the train flying everywhere, and the entire spectacle of it all is impressive — and LOUD. When the U.S. Air Force quickly shows up to clear out the area, it is obvious that this train was holding some very important cargo, something that the government does not want the public to know about.

The town of Lillian begins to experience some mysterious occurrences after the crash. Dogs are running away to other counties, people are missing and the power keeps flickering in and out. Naturally, the U.S. military has no intentions of cluing the villagers in on what’s going on, so it’s up to the kids to take matters into their own hands.

Super 8 [2011]

It’s at this point where the film started to lose me. The entire plot is pretty much basic paint-by-the-numbers stuff, and if you think something is going to happen then it will. It’s all very predictable, and the movie is full of hackneyed cliches that are more laughable than anything. The child protagonist, Joe (Joel Courtney, who reminds me a lot of Patrick Fugit in Almost Famous), struggles to maintain a healthy relationship with his father, Sheriff Deputy Jackson Lamb (Kyle Chandler), after losing his mother in a factory accident. At the same time, Joe is attempting to hide a blossoming romance with his friend Alice (Elle Fanning) since their fathers hate each other. Alice eventually becomes the de facto “damsel in distress” and I’m sure you can guess where the story goes from there.

The ending, which I won’t discuss for obvious reasons, is perhaps the guiltiest culprit of all. It is unbelievably cheesy, and in typical JJ Abrams fashion leaves a lot of questions unanswered.

Throw in some ridiculous moments such as characters conveniently knowing where to go and how to escape certain predicaments and you have a thoroughly disappointing film. I will give some credit to the group of child actors in the movie — all of them performed admirably, especially Elle Fanning, even though their characters had little redeeming values. There’s an obligatory fat kid who gets harped on about his weight and has a habit of yelling “Mint!” every other minute. There’s a kid with braces who is a pyromaniac, and his backpack full of fireworks is always brought up in an attempt to get a cheap laugh or two. There’s also a kid who vomits profusely when the going gets rough. Outside of the main protagonist, I didn’t care about any of them.

Super 8 [2011]

Super 8 is essentially a retread/homage to the old Spielberg blockbusters. There are so many plot holes, cliches and moments where the audience’s intelligence is severely questioned that it never comes close to reaching the levels of its influences. Perhaps I am not in the target audience — which seems to be 1) kids and 2) adults who still have a soft spot for the 70s/80s Spielberg movies they grew up with — but I just didn’t care at all for Super 8. It has its moments, such as the impressive train-wreck and some of the shots from the kid’s zombie film, but for the most part this is a fairly lackluster summer title.